Producer Grant Hill elaborated on this story in hilarious detail. “There was a sequence that Terry had not been able to crack, he had been working on it for six or eight weeks, different editors, and one day he walks into the lead editor Billy Weber and said, ‘Billy, I know that somewhere after cut had been called — so it must have been early in the film – there are about 10 or 12 frames’ and he described what they were,” Hill said. “And of course Billy – who had 1.2 million of feet in front of him – said, ‘You’re crazy.’ But it took 10 days or so, he found the frames, put them in the sequence and I was in the room, and the sequence did just come alive. It was some weird sense of what it took to complete it.
Interesting discussing about creating the visual effects used in Tree of Life. I really cannot get enough reading about Malicks process.